Just a few El stops away from the Whistler is the Violet Hour, known as THE Chicago cocktail bar. The Whistler and the Violet Hour were my two very favorite bars in Chicago, and Sarah and I hit them up in the same night, which, of course, begs a comparison, The Whistler was delightfully chill, probably the most relaxed atmosphere I've ever found at a dedicated cocktail bar. The whole vibe was very laid-back, very under-the-radar. In the very best way, the Violet Hour is the Whistler's exact opposite; they are both hard to find, both have amazing cocktails, and that's where the similarities end. The Violet Hour is dramatic, from the velvet curtains at the entrance to the Alice-in-wonderland decor to the painstaking presentation of the cocktails. Does it feel like a neighborhood bar? Absolutely not. Does it feel like an experience? Oh, hell yes.
In keeping with other Chicago cocktail bars, the Violet Hour is a bit..obscure. You'll definitely notice it if you walk by, but you might not know it's a bar. The exterior of the bar is covered with a lovely textured wood paneling (architect Nancy approves), and the lower part is painted with a mural which changes with the seasons. Concealed within the mural is the front door; find the handle, give it a tug, and you will be greeted by the hostess, who will usher you into the depths of the bar.
Entering the Violet Hour is like passing into another world. Push your way past not one, but two sets of velvet curtains, and you will find yourself in a dimly lit, indigo-hued space that's a bit reminiscent of Alice in Wonderland, if Alice's wonderland was a craft bar filled with mixologists ready to satisfy your every boozing whim.
Sarah and I were seated at the bar, where our bartender, Rob (I'm not quite sure his name was Rob, but we'll go with that), was ready to assist us. You know how older folks are always talking about how air travel used to be so wonderful, back when flight attendants were so gracious and flying on an airplane felt special? (Well, I've actually never had this conversation with an old person, but I've imagined one, based on my readings about the golden age of flight. Yes, I'm a huge nerd.) That's how the service at the Violet Hour compares to the service at any old bar; it's very personal. After we had a chance to look over the menu, Rob asked us what sort of alcohol we liked. Sarah wanted something light and refreshing, so for her he recommended the Juliet & Romeo, a combo of gin, mint, cucumber, and rose water that's one of the bar's most popular drinks. It came in a cocktail glass, with mint leaves and drops of bitters artfully scattered across the surface. At the Violet Hour, no detail goes ignored.
I scoured the menu and decided to order a Old One, a combination of pisco, lime, Cocchi Americano (an Italian aperitif that's a cousin to Lillet Blanc), and Peychaud's bitters. My drink was a perfect, delicate mountain of crushed ice, surmounted by just a few drops of bitters. So how did these perfectly presented drinks taste? The Juliet & Romeo was delicious, delicate and subtly floral, and the Old One started out sweet, owing to the pisco, and finished with an elegant, lingering bitterness, like a particularly poignant Russian novel.
The drinks were very good. You can't have a cocktail bar without good drinks. But really, I think what sets the Violet Hour apart is more than just the drinks - it's a feeling. Deep in the dark, past the velvet curtains, sipping your perfectly constructed cocktail in the flickering candlelight, you're far away from the noise of the street, far away from mundane, everyday things. You're a part of the drama, too; you're you, but for a little while, you're starring in a more sophisticated, more glamorous version of your life. I didn't want it to end.
Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts
Tuesday, August 30, 2011
Cocktailing Chicago: The Whistler
One of Chicago's best cocktail bars almost wasn't a bar at all.
Most bar owners decide that they want to open a bar, and then search for an appropriate space. The owners of Chicago's Whistler did it the other way around - they found the space, and then figured out what to do with it. They decided they wanted to open a live music venue - one that would sell wine, and beer, and maybe a few mixed drinks. Well, on the night of the very first concert, the cocktails were a smash hit. A star was born.
Like other Chicago cocktail bars, the Whistler is a little hard to spot. Look for the changing art installation in the store window in front.
Sarah and I showed up at the Whistler at 6 PM on a Monday night, right when the place opened. Not exactly prime time for any bar - in fact, we were the only customers there. "Could you print out a few menus?" Billy Helmkamp, one of the co-owners (I later discovered), yelled to the only other employee in the bar. Print the menus?, I asked. You have a different menu every day? Yes, Billy told me - a new menu is printed every day the bar is open, reflecting the availability of the different kinds of local produce they use in their drinks. Right away, I knew this was my kind of place.
The Whistler is really serious about local ingredients. They get a lot of their produce from a Chicago-area nonprofit that teachers inner-city kids how to garden, and like The Drawing Room, they're always looking for locally made spirits. One of their sources, Billy told me, is a Chicago-area attorney who makes cocktail bitters in his spare time. He distributes them to local bars, free of charge, apparently. He's in it for the love of the game.
But the Whistler, at its heart, is a live music venue. That's what the owners intended when they opened it, and they have live music every single night (although Sarah and I had to jet after about an hour and unfortunately did not witness this). This makes it a sort of hipster's paradise - laid-back location, delicious cocktails made with local ingredients, live music. Although I'm unable to confirm or deny the reports from Yelp that the Whistler is always full of painfully trendy, bearded types, I can report that, when Sarah and I were there, 100% of the other clientele (consisting of...1 guy) had beards.
While staying true to its roots as a live music venue, the Whistler is also an excellent place to get a drink. I had a Pago Pago, a classic tiki cocktail with...chartreuse?, which was as delicious as it was unexpected, and Sarah had a Southern Exposure (pisco, mezcal, lime, raspberry syrup, and allspice dram), whose pink hue and delicious smoky flavor made me exceedingly jealous. After only a single round of drinks and about 45 minutes of chatting with Billy about beer, booze blogs, and bitters, I was very sad to leave. If you live in Chicago (or are just visiting), do yourself a favor and soak up some live music (and some very good drinks) at one of my new favorite bars, the Whistler.
Most bar owners decide that they want to open a bar, and then search for an appropriate space. The owners of Chicago's Whistler did it the other way around - they found the space, and then figured out what to do with it. They decided they wanted to open a live music venue - one that would sell wine, and beer, and maybe a few mixed drinks. Well, on the night of the very first concert, the cocktails were a smash hit. A star was born.
Like other Chicago cocktail bars, the Whistler is a little hard to spot. Look for the changing art installation in the store window in front.
Sarah and I showed up at the Whistler at 6 PM on a Monday night, right when the place opened. Not exactly prime time for any bar - in fact, we were the only customers there. "Could you print out a few menus?" Billy Helmkamp, one of the co-owners (I later discovered), yelled to the only other employee in the bar. Print the menus?, I asked. You have a different menu every day? Yes, Billy told me - a new menu is printed every day the bar is open, reflecting the availability of the different kinds of local produce they use in their drinks. Right away, I knew this was my kind of place.
The Whistler is really serious about local ingredients. They get a lot of their produce from a Chicago-area nonprofit that teachers inner-city kids how to garden, and like The Drawing Room, they're always looking for locally made spirits. One of their sources, Billy told me, is a Chicago-area attorney who makes cocktail bitters in his spare time. He distributes them to local bars, free of charge, apparently. He's in it for the love of the game.
But the Whistler, at its heart, is a live music venue. That's what the owners intended when they opened it, and they have live music every single night (although Sarah and I had to jet after about an hour and unfortunately did not witness this). This makes it a sort of hipster's paradise - laid-back location, delicious cocktails made with local ingredients, live music. Although I'm unable to confirm or deny the reports from Yelp that the Whistler is always full of painfully trendy, bearded types, I can report that, when Sarah and I were there, 100% of the other clientele (consisting of...1 guy) had beards.
While staying true to its roots as a live music venue, the Whistler is also an excellent place to get a drink. I had a Pago Pago, a classic tiki cocktail with...chartreuse?, which was as delicious as it was unexpected, and Sarah had a Southern Exposure (pisco, mezcal, lime, raspberry syrup, and allspice dram), whose pink hue and delicious smoky flavor made me exceedingly jealous. After only a single round of drinks and about 45 minutes of chatting with Billy about beer, booze blogs, and bitters, I was very sad to leave. If you live in Chicago (or are just visiting), do yourself a favor and soak up some live music (and some very good drinks) at one of my new favorite bars, the Whistler.
Wednesday, July 6, 2011
Cocktailing Chicago: The Matchbox
Chicago's matchbox is the cutest, tiniest little place you will ever get a drink that will knock you on your ass. It has the distinction of being the only bar we visited that actually looks like a bar from the outside, but you might miss it anyway, because it's about eight feet wide. Inside is a long bar with a single row of bar stools - there's about three feet between the first stool and the wall, and it only narrows as you go back.
I know this may sound like somebody's claustrophobic nightmare, but I just loved it. Somehow, squeezing yourself past other patrons to get to the bar, or the bathroom, breeds a bizarre sense of camaraderie. It's a feeling of community born from the shared experience of shoehorning yourself into this itty bitty bar to get a beer on a Sunday night. Maybe it's a trick - my shoulder is touching this person's shoulder, so we must be friends - or maybe I just liked it so much because it reminded me of college, where everyone seems willing to jam themselves into a tiny space with relative strangers as long as there's free food or drink involved. Whatever the reason, I completely fell in love with the feel of this bar - cool and insidery, but in a totally down, unpretentious way. A place can't be fancy if you have to make physical contact with 20 strangers to get to the bathroom.
By some stroke of luck Sarah, Rebekah and I managed to snag three consecutive barstools so we could get down to the business of drinking. The bartender was just the sort of woman you would expect to find behind the bar at a place like this - friendly but no-nonsense, chatting with regulars while slinging cocktails at alarming speed. The drinks were hit or miss. My gin blossom, a combo of gin, lemon, and elderflower liqeuer, was okay, but Sarah's lemon drop just tasted like vodka (okay, I guess, if you want a glass of vodka, but not if you ordered a cocktail), and Rebekah's Manhattan was overly sweet and watered down. My favorite drink I had here was just a plain old margarita, although I should probably qualify that by mentioning that by the time I tried it, I'd already had two other (quite strong) drinks.
The great thing, if you can find a drink you like, is that the bartenders don't skimp on quantity - the martini glasses are the same size you'll find at other bars, but with each order they give you the cocktail shaker used to make the drink, which has enough liquid in it to fill your glass over again. So it's really like getting two drinks for the price of one. Of course, they leave the ice in the shaker, so you'll have to drink your original drink first or your leavings will get a little watered down. Beers are bizarrely expensive ($4 for PBR? What?), so if your goal is to get the most buzz for your buck, you're definitely better off with a cocktail.
So: maybe not the greatest place for finely crafted cocktails, but definitely worth checking out. The whole thing just felt so comfortable - like I was always meant to be at this particular bar, with these people, sipping a Fin du Monde and melting into the music, and the atmosphere, and the perfect Sunday night.
I know this may sound like somebody's claustrophobic nightmare, but I just loved it. Somehow, squeezing yourself past other patrons to get to the bar, or the bathroom, breeds a bizarre sense of camaraderie. It's a feeling of community born from the shared experience of shoehorning yourself into this itty bitty bar to get a beer on a Sunday night. Maybe it's a trick - my shoulder is touching this person's shoulder, so we must be friends - or maybe I just liked it so much because it reminded me of college, where everyone seems willing to jam themselves into a tiny space with relative strangers as long as there's free food or drink involved. Whatever the reason, I completely fell in love with the feel of this bar - cool and insidery, but in a totally down, unpretentious way. A place can't be fancy if you have to make physical contact with 20 strangers to get to the bathroom.
By some stroke of luck Sarah, Rebekah and I managed to snag three consecutive barstools so we could get down to the business of drinking. The bartender was just the sort of woman you would expect to find behind the bar at a place like this - friendly but no-nonsense, chatting with regulars while slinging cocktails at alarming speed. The drinks were hit or miss. My gin blossom, a combo of gin, lemon, and elderflower liqeuer, was okay, but Sarah's lemon drop just tasted like vodka (okay, I guess, if you want a glass of vodka, but not if you ordered a cocktail), and Rebekah's Manhattan was overly sweet and watered down. My favorite drink I had here was just a plain old margarita, although I should probably qualify that by mentioning that by the time I tried it, I'd already had two other (quite strong) drinks.
The great thing, if you can find a drink you like, is that the bartenders don't skimp on quantity - the martini glasses are the same size you'll find at other bars, but with each order they give you the cocktail shaker used to make the drink, which has enough liquid in it to fill your glass over again. So it's really like getting two drinks for the price of one. Of course, they leave the ice in the shaker, so you'll have to drink your original drink first or your leavings will get a little watered down. Beers are bizarrely expensive ($4 for PBR? What?), so if your goal is to get the most buzz for your buck, you're definitely better off with a cocktail.
So: maybe not the greatest place for finely crafted cocktails, but definitely worth checking out. The whole thing just felt so comfortable - like I was always meant to be at this particular bar, with these people, sipping a Fin du Monde and melting into the music, and the atmosphere, and the perfect Sunday night.
Wednesday, June 29, 2011
Cocktailing Chicago: The Drawing Room
Chicago cocktail bars are hard to find.
Although none of them are rocking the speakeasy feel quite as hard as PDT, the NY cocktail den with an entrance in the back of a phone booth, all the places we went felt a little bit...tucked away. Secret. Special. Like you were cool and in-the-know just for getting in the door.

Sarah, Rebekah and I started off our very first evening in Chicago at the (relatively conspicuous) Drawing Room, a basement hideaway with an entrance tucked between a club and a little French restaurant. We got there around 7 PM on Saturday night, just in time to stake out some prime spots at the bar. From there, we could watch our cocktails being crafted by some of the world's best bartenders (head bartender Charles Joly won a James Beard award in 2011, which is kind of a big deal), and also check out the scene.
From the photos I found online, I was a little concerned that the decor would be a bit high-dollar Holiday Inn, but I couldn't have been more wrong. The Drawing Room feels loungey, intimate and wonderfully grown-up, like the kind of place you always imagined adults hanging out when you were little and couldn't wait to grow up. The space is a long, low room filled with plush furniture - it's modern but warm, fancy but not fussy. The perfect backdrop for for a night on the town with some good friends, and some very good drinks.
Let's talk about the drinks.
Normally, I feel pretty in my element when perusing a cocktail menu. Strange spirits, like cachaça, Fernet Branca? These do not phase me. I even know what a shrub is. But the menu at the Drawing Room threw even me for a loop, and that's a good thing. Cocktail experimentation with wild and wonderful ingredients? I love. And, it turned out, a lot of the things on the menu I didn't recognize because they were local spirits made in and around Chicago. This, I love even more.
Right off, Sarah asked me - what is Malört? Maybe a kind of whiskey? - I told her, totally flubbing. And then I remembered - Malört is that liqueur. Famous for tasting like tires, and for, well, being absolutely repulsive. People who taste Malört for the first time are usually so disgusted that they make what is called a Malört face, an expression of total disgust that is often captured by their friends and cataloged on this flickr site. Looking at it will give you a pretty good idea of what Malört tastes like to the first-timer.
This strange liqueur tastes like wormwood (also present in the extremely potent and supposedly hallucinogenic Absinthe), is freakishly bitter, and, I was told by Billy Helmkamp, one of the co-owners of the Whistler, is sort of the national spirit of Chicago. Seriously. There's even a Chicago flag on the bottle. Malört is to Chicago what Fernet Branca is to San Francisco. People in Chicago really, really love it. And, sure enough, ever bar I visited after the Drawing Room had a bottle of this stuff hanging around. Having seen all the faces on the internet, I was, of course, anxious to taste it for myself. Our bartender Sergio, whose service was impeccable, offered to pour me a bit so I could try it. I wanted to like it so badly. A taste for Malört is like the ultimate badge of cocktail snobbery; it's loved by hardcore cocktail enthusiasts and hated by everyone else. I...didn't like it. At all. In fact, I thought it was one of the foulest things I've ever tasted. Like rubbing alcohol, with a lingering aftertaste of pure hate.
Billy also told me that it takes until your thirties for the tastebuds that detect bitterness to fully develop, so you may not like bitter things until then. I am 27, so maybe my love for Malört is just waiting for my 32nd birthday to fully blossom. Rebekah, who is, for the record, younger than I am, thought the Malört "wasn't so bad". Perhaps she has a more advanced palate than I do? I am deeply ashamed. (Sarah can't actually taste anything at all, so to her the Malört just tasted like booze.)
I ended up ordering a Cake or Death, because how could you not order a drink with such a fantastic name? (And kudos to our man Sergio for pointing me to this Lego Version.) I'm afraid I can't do it justice in words - it tasted a a little bit like coffee, a little bit bitter, and mostly unlike any other drink I've had before. This, Sergio said, was exactly what they were going for, and they certainly achieved it. I drink a lot, and I am always looking for the strange. This was certainly strange. I'm not sure I liked it (like as in, I would readily order another one), but it was definitely interesting. Rebekah, of the advanced palate, fell in love with the Cake or Death, and agreed to trade me the last of my drink for the remains of her Nooner. People who have drunk with me might be aware of my love affair with bourbon, and the Nooner was near perfect - a wonderful little bourbon cocktail, with maple syrup for just the right amount of depth.
Sarah has a condition called anosmia, which means that she cannot smell at all: all of her taste sensations come from her tongue. (Sweet, sour, salty, bitter, and umami, if you believe in that kind of thing.) This makes her the perfect barometer for balance in cocktails - Sarah is never swayed by taste associations. She only tastes the most vital things. Sarah bravely ventured off the menu and asked for a cocktail that was "light and refreshing". Sergio delivered, with a drink made from gin, lemon, cherry heering, and creme de violette. For the gin, he chose North Shore distillery's No. 6, a (locally produced!) gin that is very lavender and citrus-forward, to compliment the floral flavors in the drink. Sarah liked it, and so did we.
We decided to linger for another round, drawn in by the drinks and the atmosphere. Sarah's Floradora was definitely the best drink this round, but we all left happy - a wonderful start to our adventures in Chicago.
Although none of them are rocking the speakeasy feel quite as hard as PDT, the NY cocktail den with an entrance in the back of a phone booth, all the places we went felt a little bit...tucked away. Secret. Special. Like you were cool and in-the-know just for getting in the door.

Sarah, Rebekah and I started off our very first evening in Chicago at the (relatively conspicuous) Drawing Room, a basement hideaway with an entrance tucked between a club and a little French restaurant. We got there around 7 PM on Saturday night, just in time to stake out some prime spots at the bar. From there, we could watch our cocktails being crafted by some of the world's best bartenders (head bartender Charles Joly won a James Beard award in 2011, which is kind of a big deal), and also check out the scene.
From the photos I found online, I was a little concerned that the decor would be a bit high-dollar Holiday Inn, but I couldn't have been more wrong. The Drawing Room feels loungey, intimate and wonderfully grown-up, like the kind of place you always imagined adults hanging out when you were little and couldn't wait to grow up. The space is a long, low room filled with plush furniture - it's modern but warm, fancy but not fussy. The perfect backdrop for for a night on the town with some good friends, and some very good drinks.
Let's talk about the drinks.
Normally, I feel pretty in my element when perusing a cocktail menu. Strange spirits, like cachaça, Fernet Branca? These do not phase me. I even know what a shrub is. But the menu at the Drawing Room threw even me for a loop, and that's a good thing. Cocktail experimentation with wild and wonderful ingredients? I love. And, it turned out, a lot of the things on the menu I didn't recognize because they were local spirits made in and around Chicago. This, I love even more.
Right off, Sarah asked me - what is Malört? Maybe a kind of whiskey? - I told her, totally flubbing. And then I remembered - Malört is that liqueur. Famous for tasting like tires, and for, well, being absolutely repulsive. People who taste Malört for the first time are usually so disgusted that they make what is called a Malört face, an expression of total disgust that is often captured by their friends and cataloged on this flickr site. Looking at it will give you a pretty good idea of what Malört tastes like to the first-timer.
This strange liqueur tastes like wormwood (also present in the extremely potent and supposedly hallucinogenic Absinthe), is freakishly bitter, and, I was told by Billy Helmkamp, one of the co-owners of the Whistler, is sort of the national spirit of Chicago. Seriously. There's even a Chicago flag on the bottle. Malört is to Chicago what Fernet Branca is to San Francisco. People in Chicago really, really love it. And, sure enough, ever bar I visited after the Drawing Room had a bottle of this stuff hanging around. Having seen all the faces on the internet, I was, of course, anxious to taste it for myself. Our bartender Sergio, whose service was impeccable, offered to pour me a bit so I could try it. I wanted to like it so badly. A taste for Malört is like the ultimate badge of cocktail snobbery; it's loved by hardcore cocktail enthusiasts and hated by everyone else. I...didn't like it. At all. In fact, I thought it was one of the foulest things I've ever tasted. Like rubbing alcohol, with a lingering aftertaste of pure hate.
Billy also told me that it takes until your thirties for the tastebuds that detect bitterness to fully develop, so you may not like bitter things until then. I am 27, so maybe my love for Malört is just waiting for my 32nd birthday to fully blossom. Rebekah, who is, for the record, younger than I am, thought the Malört "wasn't so bad". Perhaps she has a more advanced palate than I do? I am deeply ashamed. (Sarah can't actually taste anything at all, so to her the Malört just tasted like booze.)
I ended up ordering a Cake or Death, because how could you not order a drink with such a fantastic name? (And kudos to our man Sergio for pointing me to this Lego Version.) I'm afraid I can't do it justice in words - it tasted a a little bit like coffee, a little bit bitter, and mostly unlike any other drink I've had before. This, Sergio said, was exactly what they were going for, and they certainly achieved it. I drink a lot, and I am always looking for the strange. This was certainly strange. I'm not sure I liked it (like as in, I would readily order another one), but it was definitely interesting. Rebekah, of the advanced palate, fell in love with the Cake or Death, and agreed to trade me the last of my drink for the remains of her Nooner. People who have drunk with me might be aware of my love affair with bourbon, and the Nooner was near perfect - a wonderful little bourbon cocktail, with maple syrup for just the right amount of depth.
Sarah has a condition called anosmia, which means that she cannot smell at all: all of her taste sensations come from her tongue. (Sweet, sour, salty, bitter, and umami, if you believe in that kind of thing.) This makes her the perfect barometer for balance in cocktails - Sarah is never swayed by taste associations. She only tastes the most vital things. Sarah bravely ventured off the menu and asked for a cocktail that was "light and refreshing". Sergio delivered, with a drink made from gin, lemon, cherry heering, and creme de violette. For the gin, he chose North Shore distillery's No. 6, a (locally produced!) gin that is very lavender and citrus-forward, to compliment the floral flavors in the drink. Sarah liked it, and so did we.
We decided to linger for another round, drawn in by the drinks and the atmosphere. Sarah's Floradora was definitely the best drink this round, but we all left happy - a wonderful start to our adventures in Chicago.
Friday, May 27, 2011
Chicago, IL: Three nights, six bars.
Chicago! The windy city! The city of the big shoulders! And also, I hear, a damn good place to get a drink. I'm planning a four-day trip - here are the bars that made my shortlist.
Violet Hour
The Violet Hour (so named for a line in a T.S. Eliot poem) is THE Chicago cocktail bar. It is the Anvil of Chicago. When people review other cocktail bars in Chicago, they compare them to the Violet Hour. If you're going to drink cocktails in the windy city you pretty much have to go here.
Whistler
The word on the street: cocktails just as good as the Violet Hour, but cheaper! Awesome live music! Also supposedly chock full of hipsters at all times. Seriously, one reviewer said something like: "I've never seen so many beards in my whole life."
Matchbox
Super tiny and serves super strong classic cocktails. Yes.
The Green Mill
Not really a cocktail bar so much as a jazz club. Super old school - classic Chicago.
Sable Kitchen and Bar
If the Chowhound forums are any indication, this is the most buzzed-about new restaurant in Chicago. Several former employees of the Violet Hour have created cocktails for their menu, and word is they're quite good.
The Drawing Room
Decor looks a bit stuffy. Website is bleh. But they're supposed to have the best cocktails in town. (Head mixologist Charles Jolly won a James Beard award, which is kind of a big deal.) Looking at the menu is like wandering through a delicious boozy wonderland. And they have a drink called "Cake or Death?" - I mean, how could I pass that up?

My mission: to go, to drink, and to report back. I'll let you know what I find.
Images: Metromix, Starchefs, Esquire.
Violet Hour
The Violet Hour (so named for a line in a T.S. Eliot poem) is THE Chicago cocktail bar. It is the Anvil of Chicago. When people review other cocktail bars in Chicago, they compare them to the Violet Hour. If you're going to drink cocktails in the windy city you pretty much have to go here.
Whistler
The word on the street: cocktails just as good as the Violet Hour, but cheaper! Awesome live music! Also supposedly chock full of hipsters at all times. Seriously, one reviewer said something like: "I've never seen so many beards in my whole life."
Matchbox
Super tiny and serves super strong classic cocktails. Yes.
The Green Mill
Not really a cocktail bar so much as a jazz club. Super old school - classic Chicago.
Sable Kitchen and Bar
If the Chowhound forums are any indication, this is the most buzzed-about new restaurant in Chicago. Several former employees of the Violet Hour have created cocktails for their menu, and word is they're quite good.
The Drawing Room
Decor looks a bit stuffy. Website is bleh. But they're supposed to have the best cocktails in town. (Head mixologist Charles Jolly won a James Beard award, which is kind of a big deal.) Looking at the menu is like wandering through a delicious boozy wonderland. And they have a drink called "Cake or Death?" - I mean, how could I pass that up?

My mission: to go, to drink, and to report back. I'll let you know what I find.
Images: Metromix, Starchefs, Esquire.
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